The 2022 Best Production Design Oscar Nominations: Complete List

current nominations for academy award for best production design

“Amadeus” received critical acclaim upon its release and went on to win eight Academy Awards, including Best Picture. The film is set in 18th-century Vienna, Austria, and is narrated by an elderly Salieri, played by F. Salieri, a respected court composer, becomes obsessed with Mozart’s prodigious talent and is consumed by jealousy and resentment towards him. Visually, the film is renowned for its stunning cinematography and imaginative creature designs. Guillermo del Toro’s signature blend of practical effects and visual effects creates a mesmerizing and otherworldly atmosphere.

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From timeless classics to modern marvels, join us as we journey through the masterpieces that have set unparalleled standards in the art of cinematic design. In this article, we delve deep into the cinematic archives, ranking the top 20 films that have clinched this prestigious Oscar. The Academy Award for Best Production Design stands as a testament to those visionaries who breathe life into a director’s dream, crafting tangible realms from mere ideas. The elaborate Roman square had to be built twice because Elizabeth Taylor fell ill during the first attempt at production.

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Lost Horizon (

It presents a contrast between the cruel and oppressive real world and the enchanting and dangerous realm of fantasy. To prove her royalty and return to her rightful place, Ofelia must complete three dangerous tasks. These tasks become intertwined with the brutal reality of the war and the tyranny of Captain Vidal, who is hunting down Republican rebels hiding in the area.

Production design by Christian M. Goldbeck; set decoration by Ernestine Hipper

This year, the group could come to include Dunn or Carter’s collaborator, Karen O’Hara, who was initially feted for “Alice in Wonderland” in 2011. She has also received academy mentions for her work in “The Color of Money” (1987) and “Ma Rainey’s Black Bottom” (2021). I think most people would agree that the production design in the 1989 Batman is the probably the best production design of any superhero movie ever made. This next video takes a tour through the original set and shows what it looked like without cast and crew. Perhaps it’s unfair to praise the production design in The Last Emperor too feverishly considering that some of the film was shot in The Forbidden City in Beijing, China – which would admittedly be hard to make look not magnificent. Jules Verne’s 1870 novel 20,000 Leagues Under the Sea captivated readers for generations before it received a proper movie adaptation in 1954.

It is a horror-drama adaptation of the famous French novel “Le Fantôme de l’Opéra” by Gaston Leroux. The film is also notable for breaking the Hollywood blacklist by openly crediting blacklisted writer Dalton Trumbo, who wrote the screenplay. The story follows Spartacus, who is sold into slavery and trained as a gladiator in the Roman city of Capua. He becomes a skilled fighter and eventually leads a rebellion of gladiators and slaves against their Roman oppressors. The film is known for its faithful adaptation of Shakespeare’s language and its evocative visuals, capturing the grandeur and political intrigue of ancient Rome. The film stars Marlon Brando in the role of Mark Antony, James Mason as Brutus, John Gielgud as Cassius, and Louis Calhern as Julius Caesar.

Oscars Predictions:Best Achievement in Production Design

The film’s critical and commercial success has led to discussions of potential sequels and spin-offs within the Mad Max universe. From lavish palaces to dystopian futures, discover the top 20 films that captured the Oscar for their unparalleled prowess in production design. Martin was indeed the first woman to pull off multiple wins in this category and has since been joined in that distinction by Nancy Haigh (“Bugsy,” 1992 and “Once Upon a Time in Hollywood,” 2020).

The production design in 20,000 Leagues Under the Sea no-doubt inspired countless imitators in the decades after. Guillermo Del Toro doesn’t make movies with bad production design – it’s just not part of his M.O. His collaborators on Pan’s Labyrinth included art director Eugenio Caballero who has worked on other acclaimed projects like Roma and Pilar Revuelta who received acclaim for her work on Pedro Almodóvar’sBad Education. Cedric Gibbons won more Academy Awards for Best Production Design than any other production designer in history. “Poor Things” prevailed over “Barbie” in the fantasy production design category at the 28th Art Directors Guild Awards and is now in the driver’s seat to win the Oscar. Throughout the season, it has been a race between these two big feminist films constructed around rebirth and unconventional world-building.

These Are the Films Nominated for Best Production Design at the 2022 Academy Awards

Montana in the 1920s was recreated by production designer Grant Major for Jane Campion’s The Power of the Dog. Inspired by Ken Burns’s documentary series The West and Evelyn Cameron’s photographs, Major created masculine, wood-heavy environments that showcased the mountains and surrounding nature of the New Zealand location, where the film was shot. James Basevi, William S. Darling and Thomas Little won an Academy Award for the black and white film "The Song of Bernadette," while Alexander Golitzen, John B. Goodman, Russell A. Gausman and Ira S. Webb won for the color film "Phantom of the Opera." With its whimsical storytelling, exceptional craftsmanship, and memorable characters, “The Grand Budapest Hotel” has become one of Wes Anderson’s most beloved and iconic films. “The Grand Budapest Hotel” is known for its distinctive visual style, meticulous production design, and Anderson’s signature symmetrical framing. It showcases a whimsical and nostalgic atmosphere, blending elements of comedy, drama, and adventure.

current nominations for academy award for best production design

It is essential to view the film within the historical context of its release in the 1930s, acknowledging the evolving understanding and representation of race in cinema. She forms a complicated relationship with Rhett Butler (played by Clark Gable), a charismatic and enigmatic blockade runner, which becomes one of the most iconic romantic pairings in cinematic history. The film has since become a cult classic and is widely regarded as one of Guillermo del Toro’s finest works, showcasing his unique vision and storytelling style. It won three Academy Awards for Best Cinematography, Best Art Direction, and Best Makeup, as well as numerous other accolades. The film doesn’t shy away from the violence and horrors of war, juxtaposing them with the magical creatures and mythical elements of Ofelia’s journey. “Pan’s Labyrinth” delves into themes of escapism, the power of imagination, and the consequences of unchecked authority.

Four of their notices came for working with director Joe Wright on “Pride & Prejudice” (2006), “Atonement” (2008), “Anna Karenina” (2013), and “Darkest Hour” (2018), while the remaining two were for “Sherlock Holmes” (2010) and “Beauty and the Beast” (2018). Excluding “Sherlock Holmes,” six of their bids were coupled with ones for Best Costume Design, all of which were bestowed upon Jacqueline Durran, who prevailed in 2013. Oscar winner Rick Carter (“Lincoln,” “Avatar”) recreated Steven Spielberg’s childhood for his semi-autobiographical “The Fabelmans.” He cracked “the Spielberg code” of recurring themes and motifs from his movies, turning this into a classic migration tale. The three Fabelman houses in New Jersey, Arizona, and Northern California became chambers of Sammy’s (Gabriel LaBelle) psychological development, based on Spielberg’s memories and photo reference material from his family archives. So how much of a lift does “Babylon” get in the production design Oscar race, considering how divisive it’s been?

But today, we’re going to honor the great production designers of Hollywood by looking at every Academy Award for Best Production Design winner – then we’ll rank some of the best production designs of all-time. Before we rank the “best” Best Production Design winners, we’ll build a moodboard you can reference when in need of creative inspiration. Roll out that red carpet, don your fanciest glad rags, and pour that bubbly because Oscar season is upon us! This year, the nominees are a particularly formidable lineup spanning cinematic genres, time periods, and moods—from glittering underwater worlds to extravagant Gilded Age-era mansions.

And these striking spaces manage to look futuristic in a way that could only exist in Dune. Cedric Gibbons and Fredric Hope received Oscars for the set design of "The Merry Widow." Set in the fictional European country of Zubrowka between the two World Wars, the film is presented as a story within a story. It begins with a young girl reading a book about the hotel and its eccentric owner, Zero Moustafa, who recounts his experiences to the author. “Cleopatra” is known for its grandeur and opulence, with elaborate sets and costumes that showcase the splendor of ancient Egypt and Rome.

For each character, the architectural style represents a manifestation of the world they want to be in. One of the most challenging sets to pull off was Beale Street, a roughly two-mile stretch of downtown Memphis that became a vibrant locus for Black musical culture—the blues specifically—and a source of inspiration for a young Elvis. Martin and the team had to recreate and condense that legendary street and its storefront window displays into just two blocks, in Australia no less, and amid pandemic-era supply-chain woes.

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